民眾劇場強調個體的參與和自主，及至組織過程中建構非精英、著重協作溝通的社群連帶。因此，民眾劇場的焦點不單是其美學呈現，也關係到參與者的主體建立過程。無論在創作與演出本身，參與者的培力與成長都被視為具有顚覆意義。這一節，我們將會從民眾劇場的對話主體出發，著重審視實踐者對當下民眾劇場的主體想像，人民在何處？為什麼用民眾劇場的方法？對抗的是什麼？從各人的實踐經驗中，參與者的自主性如何轉化成集體的能量，及至直面具體處境的行動？

People's Theatre emphasizes individual participation and autonomy as to construct a heterogeneous, collaborative communication community in the process of organization. Therefore, the focus of People's Theatre is not only its aesthetic presentation, but also the self-establishment and empowering process of the participants. In this section, we will proceed from the imagination of subjectivities in People's Theatre by focusing on the dialogue among practitioners and participants in the theater of the people by asking the following questions: Where are the People? Why People's Theatre? What are the subjects of resistance? From the practical experience of each individual, how does the autonomy of the participants convert to the agency of social actions in confronting specific situations?

主持 Moderator

林淑芬 LIN Shu Fen (台灣 Taiwan)

講者 Speakers

夏曉鵑 HSIA Hsiao Chuan (台灣 Taiwan) ：重返受壓迫者劇場: 培力、組織、動員Return to the Theater of the Oppressed: Arouse, Organize and Mobilize

李秀珣 LEE Show Shin (台灣 Taiwan)：迴盪在換幕到真實的裂縫中：劇場「相遇－越界」，一條通往解放的航行Between Acting and Realities: Towards a Self-reflexive Practice of People's Theatre

賴淑雅 LAI Shu Ya (台灣 Taiwan)：漂泊的聲音---移工劇場實踐與反思Voices of the Drifters---The Practice and Reflection on Migrant Worker Theatre