第三場：重繪亞際民眾劇場歷史圖譜 II：新馬印的在地實踐與互聯 Section III: Re-mapping Inter-Asian Historical Contexts of People’s Theatre II: Trans-local Practice and Exchange in Singapore, Malaysia and Indonesia

承接著亞際民眾劇場跨地連結的討論，這一節將聚焦東南亞街頭唱著反調的劇團及它們或隱或顯的歷史軌跡：反壓迫的殖民地史，多元交錯的語言和種族，複雜的國族認同和異質的民俗文化...以民眾劇場為方法的社群實踐，曾經試探政治抵抗與美學的多重辯證，這樣的嘗試在今天是否並未消失？我們邀請三位講者分享印尼、馬來亞／馬來西亞與新加坡的過去和現在，在歷史現場激發民眾劇場可能的未來。

Followed by the discussion of Inter-Asian People's Theatre cross-border network, this section focuses on the Southeast-Asian context and their hidden historical trajectories: the anti-oppression colonial history, diverse and interconnected languages and ethnic groups, complex national identification, and the heterogeneity of folk culture. The community practice of People's Theater are still prevalent today and continue to experiment with political resistance and aesthetics. In this section, the discussants will share the historical trajectories of Indonesia, Malaysia, and Singapore while thinking about future strategies.

主持 Moderator

蘇穎欣 SHOW Ying Xin (馬來西亞 Malaysia)

講者 Speakers

沈國明 SIM Kok Meng (馬來西亞 Malaysia):技藝救國，聲色救災--戰前馬華劇運的側寫Save the Nation through Artistry, Relieve the Calamity through Music-Profiling the Destiny of Malaysian Chinese Theater in the Pre-war Period

Muhammad FEBRIANSYAH (印尼 Indonesia):印尼新秩序下的跨國網絡、民眾劇場與激進反對運動Transnational Networks, People's Theatre and Radical Opposition Movements in the New Order Indonesia

Dindon W.S, Ratu Selvi AGNESIA (雅加達 Jakarta):演進的歷史：墓地劇團自新秩序至後改革時期的展演表現Moving History: Representation of Teater Kubur Performances from the New Order to Post-Reformation in Indonesia