D民手案｜Injured Hand

時間 Time

2018／12／16 (日)

19:00-21:30

地點 Venue

異鄉人合作社 Stranger Cooperation

新竹市東區大同路86號 新竹東門市場3樓

No. 86, 3rd Floor, Dongmen Market, Datong Road, East District, Hsinchu City.

影片簡介

這裡沒有戲里戲外，一次精心設立的現場，激發了觀眾對自身遭遇的反應。法律背後的權力關係，對生命定義的荒誕與無情，在觀眾介入與律師的辯論中逐漸浮現出來。健身教練與美甲師作為場景的一個結構，提示了當下關於身體的意識形態背景。片中能夠感受到，當所有的東西，回到每個人本身，事情才會逐漸回復日常。這成為了一次在劇場框架下的公共論壇。

本劇重點討論一隻手到底值多少錢？司法解釋背後意味著什麼？覃劍榮價值61萬的手臂和鋼琴家朗朗價值一個億的手指頭同時並置眼前的時候，器官的階級性被建構起來了。血肉之軀被附上商品價值的魂魄。身體器官的意義被肢解後塞入了資本價值譜系設計的精緻的絞肉機中。完成了新時代的身體血酬定律。

Video Description

The fourth wall is nonexistent here. A well-crafted scene inspires the audience to react to their own circumstances. Through the audience' intervention in the lawyer's debate, the power relationship behind the legal system and the absurdity and ruthlessness of life begin to emerge. The fitness instructor and the manicurist serve as the mise-en-scène, reminding us of the ideological background of the flesh. In the video, ordinary life is only restored once everything goes back to each individual. This is a public forum in the context of the theatre. This performance interrogates how we measure the monetary value of a pair of hands. What does judicial interpretation mean in this context? When a factory worker loses his arm during work and gets $610,000 in compensation, and when the famous pianist Lang Lang's fingers are insured at $100,000,000, the class relationship between human organs is established. The apparition of commodity value haunts our flesh and blood. The body is mutilated, stuffed into the intricate meat grinder of capital value, and fulfills the formula of blood compensation in the new era.

映後座談主講人

《D民手案》導演：王楚禹 WANG Chu Yu

中國大陸當代藝術家，行為藝術家，策展人。1974年出生於中國陝西，1994年開始在北京從事藝術創作至今，參與多個國際行為藝術節。近期劇場作品包括參演劇場《哈姆雷特機器詮釋學》（2015-2016）、導演劇場作品《D民手案》（2017）。2016年創辦《潛行》藝術機構。2018導演觀念劇場《為五十六個階級弟兄》、《香港人》。

Speaker

Director WANG Chu Yu is a contemporary artist, performance artist, and curator based in Mainland China. Born in Shaanxi, China in 1974, Wang started his artist career in Beijing in 1994. He has participated in numerous international performance art festivals. His recent projects include "Die Hamletmaschine" (2015-2016) and he directed the theatre project "Injured Hand" (2017). He founded the "Qian Xing Art Institution" in 2016. In 2018, he. directed a concept theatre named "For Our 56 Workers" and "Hong Kong People."

主持人 Moderator

李齊 LI Qi（交通大學社會與文化研究所博士生 PhD Student, Social Research and Cultural Studies, NCTU）